

“Mojin: The Lost Legend” is currently playing at Seattle’s AMC Pacific Place 11 Theater, 600 Pine Street, Pacific Place Mall, Seattle. Any fan of monsters, mazes, catacombs, hidden fortresses, ancient curses, and obstinate love stories, should be happy to buy a ticket and take the ride. The film allegedly has some serious things to say about tomb-raiding, but I lost any of that in the wild action. In the far-reaching tradition of Hong Kong cinema, time and gravity seem to work at the whim of the screenwriter (Tianxi Bachang, in this case), and the three leads scrabble about, frozen in mid-air, dodging coffins and other heavy objects, flying splinters, and bright blinding lights.


She’ll butt heads with Chen Kun until, and even after, the two figure out how they feel about each other. Wu Ershan’s Mojin: The Lost Legend opens with a frantic action sequence inside an ancient tomb. As for the other female lead, Shu Qi, currently captivating folks in Hou Hsiao-Hsien’s “The Assassin,” shows more slyness and more volcanic temper. Ding Sitian, lost for a good portion of the film, comes on hard-nosed, aloof.

Chen Kun’s dashing, bright-eyed optimism and command play off of this. Huang Bo plays the daffy, slightly-less good-looking fellow, awkward in romance, and prone to fits of foul temper, but always good for a laugh. The interactions break down to basics, for both action and comedy. There, a big boss who works for a mysterious bigger boss, pulls them in for one last job. They decamp, perhaps not entirely voluntarily, to New York City. They find themselves in over their heads and they lose Ding. Unscramble the plot’s progress and it seems standard. But it bends the rules of the universe, and linear development, to get there.
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An action movie must build to a big finish, and this one does. Title sequence for AMCs Into the Badlands Designed by HUGE DESIGNS Music by Mike Shinoda. Mojin: The Lost Legend - Ending Credits SEQ on Vimeo. They gain and lose and then gain again, the third member of their devastating trio, Ding Sitian (played by Angelababy, a superstar sometimes described as “the Kim Kardashian of China,” although frankly given that she can act, she’s already way out in front of any Kardashian). Mojin: The Lost Legend - Ending Credits SEQ. Their appearances, attitudes, ideologies, and philosophies change violently. Over the film’s two hours, the two survivors of that fateful day in the tomb, Hu Bayi, played by Chen Kun, and Wang Kaixuan (Huang Bo), travel backward and forward in time. That is, one of the tomb robbers wakes up. John Zeng, President of Wanda Cinema Line, today noted the key role the Imax-Wanda partnership played in the huge results on Warcraft, from Wanda-owned Legendary, which smashed Imax China’s first-day box office record, and set new company benchmarks for midnights and presales.Wu Ershan’s “Mojin: The Lost Legend” opens with a frantic action sequence inside an ancient tomb. Discussions are ongoing regarding next year’s Journey To The West II, the follow-up to Stephen Chow’s mega-hit that’s directed by Tsui Hark. This coming weekend, Imax will release the 3D adventure Time Raiders starring Star Wars ambassador Lu Han. Smartly, the company plans to increase the number of local-language pics it releases in China and recently earmarked $50M for Mandarin-language productions under the Imax China Film Fund with partner China Media Capital.Īlready released in the format this summer have been Wanda’s For A Few Bullets, Edko’s Cold War 2 and Jackie Chan-starrer Skiptrace which crossed $100M in local box office over the weekend. With Wanda as partner, it has collaborated on such titles as Man Of Tai Chi, Go Away Mr Tumor and last year’s Mojin: The Lost Legend which became Imax’s highest-grossing local-language pic ever. While Imax works closely with the Hollywood studios to release their films in the Chinese market, the company has also dived deep into local-language. Wanda Cinemas Tap RealD In Largest 3D Installation In Format History
